LEVKOVÁ & FRANTIŠÁK & KOZÁK: SOUL OF BAROQUE BACH / HÄNDEL / ZELENKA / MICHNA

Date
Sunday 29. 11. 2026 from 5:00 pm
Ticket price
300 CZK / 200 CZK (student, senior 65+, ZTP) / 50 CZK (ZTP/P) / children under 15 years of age free entrance

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LEVKOVÁ & FRANTIŠÁK & KOZÁK: SOUL OF BAROQUE BACH / HÄNDEL / ZELENKA / MICHNA

Programme

Giovanni Battista Bononcini (1670–1747): Aria “No, non più guerra” from L’Abdolomino for soprano, chalumeau and continuo

Johann Sebastian Bach (1685–1750): Magnificat: aria „Quia Respexit“, BWV 243

Johann Sebastian Bach: Preludium and fugue G dur, BWV 541

Georg Friedrich Händel (1685–1759): Aria from oratorio Messiah
„How beautiful are the feet“
„Rejoice“

Jan Dismas Zelenka (1679–1745): Aria „Ave Deus“ from St. Wenceslas for soprano, chalumeau and continuo

Georg Friedrich Händel: Sonata in F major for chalumeau and continuo, HWV 363a

Marc Antonio Ziani (1653–1715) / Joseph I. of Habsburg (1678–1711): Aria „Tutto in pianto“ from Chilonida for soprano, chalumeau and continuo

Jan Křtitel Vaňhal (1739–1813): Fugue in C major

Adam Václav Michna(1600–1676): The Czech Lute (selection)
Introduction. Kdo by tě chváliti žádal.
Svádební Věneček. Posypte mne s Kvítkami s Ruží a s Lilium.
Den Svádební. Začněté Panný spívati.

 

The concert “The Soul of the Baroque” at the Church of St George in Brušperk offers an encounter with music that unites spiritual depth, human emotion, and the extraordinary beauty of Baroque expression. Bringing together outstanding personalities from the Moravian-Silesian region—the young-generation vocal talent Karolína Levková, the internationally acclaimed clarinetist Igor Františák, and piano virtuoso Marek Kozák—the evening presents them in an unusual chamber trio configuration.

Their sound, both delicate and richly coloured yet deeply expressive, is shaped by the use of the historical wind instrument chalumeau and the organ. The programme connects leading figures of European Baroque—Bach, Handel, and Zelenka—with less frequently performed composers and the Czech spiritual tradition of Adam Václav Michna. Arias from operas, oratorios, and sacred works here are not merely musical numbers, but personal testimonies of faith, hope, and human fragility. The exceptional combination of soprano, chalumeau, and organ creates a unique sonic poetry in which lyricism, meditative calm, and dramatic expression converge.


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